Inter-American Children's Institute
Director General: .Alejandro Bonasso
Av. 8 de Octubre 2904, Casilla de Correo 16212, Montevideo (11600)
Tel. (5982) 487 21 50, Fax: (5982) 487 32 42
Email: iin@redfacil.com.uy , Web Site: www.iin.oas.org


Español

Video "I want to be cared for"

1.  Introduction 

The Inter-American Children’s Institute together with the National System for the Comprehensive Development of the Family in Mexico (DIF) agreed to develop the video “I Want to be Loved”, on the Right to Protection Against Mistreatment, as part of a series to promote and advertise the rights of children as guaranteed in the Convention on the Rights of the Child. 

Ing. Julio Rosenblatt, Coordinator of the IIN Inter-American Program of Information on Children and the Family, was the originator of the idea of developing videos. 

The Video “I Want to be Loved” is a 1 minute 13 seconds animated musical video interpreted by Leonardo Croatto (soloist) presented in Spanish with English subtitles. RAL (the Latin American Network) produced the video and Walter Tournier directed it.  

2.   Content

Introduction 

The Inter-American Children’s Institute is making online surveys through its web page on topics related to the rights of the child. On the specific topic of the mistreatment of children, interesting inferences can be made from the results obtained so far. When asked about places where the rights of children are most likely being violated, 46% of respondents considered it to be the family and the children’s milieu (29% and 17% respectively). These are followed by the judicial system (14%), police stations (13%), schools and the media (9,5%), public and private institutions for the care of children (5%) and finally medical centers (2%).[1] 

These data, although coming from a limited sample (those who visit our pages and answer the surveys), show us the alarming perception of almost half of the respondents consider the family and the milieu of the child the most likely place where his/her rights will be violated.  

These first approximations to situations of vulnerability faced by children and adolescents calls for a deeper analysis of one of the grave problems of our times: “the mistreatment of children”  

About the mistreatment of children 

 

When dealing with the mistreatment of children, we are faced with several problems. In the first place, this is a problem whose magnitude remains unknown due to lack of data and to the fact that in many cases it stays within the confines and intimacy of the family. Secondly, cultural and historic traditions play a very important role in the way each society faces this problem. Finally, there are conflicting opinions on its definition and classification, on the consequences of the mistreatment of children and on the most appropriate ways to deal with it.  

Article 19 of the Convention on the Rights of the Child establishes that States Parties “shall take all appropriate legislative, administrative, social and educational measures to protect the child from all forms of physical or mental violence, injury or abuse, neglect or negligent treatment, maltreatment or exploitation, including sexual abuse, while in the care of parent(s), legal guardian(s) or any other person who has the care of the child”. 

In spite of this, the mistreatment of children remains a hidden problem in many countries, both in the developed as well as in the developing world. “In the region of Latin America and the Caribbean, at least 6 million children and adolescents are victims of severe aggressions and 80 thousand die each year due to family violence”[2] Any child, regardless of age, sex or socio-economic background can be a victim of mistreatment in any of its forms.  

Risk factors for a situation of mistreatment of children 

The mistreatment of children has many causes and is determined by multiple forces affecting the individual, the family, the community and the cultural milieu that prevents or hinders their comprehensive development.  

“Many reasons lead to believe that the mistreatment and neglect of children will become even more pervasive at a time when countries are making the transition from a regulated economy to an open market economy less structured for social welfare. Urban growth overloads social and medical services, women increasingly join the labor force and more and more families are, for different reasons, displaced from their home and from their cultural milieu”[3] 

It is important to be able to identify the “adverse conditions” that foster the mistreatment of children in order to detect and anticipate the problem. We have classified in three groups the risk factors that may lead to mistreatment: 

  • Individual factors
  • Family factors
  • Socio-cultural and milieu factors
  1. Individual factors

Some individual characteristics of the children themselves might contribute to situations of mistreatment such as:

  • Unwanted pregnancy
  • Premature birth
  • Physically or psychologically challenge children
  • Hyper-active children

Can also be identified as risk factors individual characteristics of the parents, such as, among others, their personality or their experience or inexperience in rearing children. 

  1. Family factors

When the family faces situations of unbalance, the children are often the first victims.

Risk factors for mistreatment within the family depend on its structure and on its functioning and dynamics. Factors on its structure are, among others, number of family members, one parent family, adolescent parents. Risk factors related to the functioning of the family are poor relationships and communication, lack of affection and family violence. Finally, the absence of limits or family rules and the relationship of the couple may have a negative influence in the family dynamics and contribute to situations of child mistreatment.  

    c.  Socio-cultural and environmental factors 

The culture and traditions of each country also influence the common understanding of child mistreatment. Rearing practices in different cultures show us that things we do that seems so natural to us may be alien to other cultures and societies.  

“If the mistreatment of children in our society is part of a mistreating culture and if a mistreating culture is made up of daily routines and practices that are perceived as natural, it is only by changing those practices of daily life that we can prevent and change the predicament of a child”[4] 

There still exist in many countries the idea that children belong to their parents and that they can decide on their children’s destiny. The dependency of children on adults in our society is also a risk factor. Such problems as unbalance in the family situation directly affect the children and make them one of its first victims. 

Among the environmental and socio-economic problems that may be risk factors towards mistreatment we can mention:

  • Labor problems such as unemployment, labor instability, long working hours, etc.
  • Inadequate housing conditions such as overcrowded quarters, sharing accommodations with other families, poor living conditions, etc.
  • Unsatisfied basic needs, marginalization problems, etc

In the first place it is important to point out that the risk factors previously mentioned only partially account for the “adverse conditions” that may generate situations of mistreatment of children. 

In second place, in the majority of cases of mistreatment, more than one of those factors are present. 

Finally, in order to analyze the problem and plan any action to follow it is essential to acknowledge that it has many causes.

3.    Target Public 

“I Want to be Loved” targets all the children and adolescents of the countries of the region. The idea is to device a communication strategy that – by means of positive messages – would highlight the responsibility of the whole family to provide PROTECTION AND CARE for all children and adolescents.  

It also targets fathers and mothers in order to make the whole population aware of the problem of mistreatment of children as a problem of infringement of rights.  

4.    Broadcast times 

We live in a society were mass media of communication, specially radio and television, arrive to the homes of even the most marinated sectors. The rational and wise use of this vehicle provides an opportunity to disseminate the rights of all the children and adolescents of the region.  

The suggestion is to broadcast the Video “I Want to be Loved” at a time when children, adolescents and the whole family will have the opportunity to view it.  

5.   Diffusion  

·        The Video "I Want to be Loved" will be shown by commercial channels and cable in the different countries of the region 

·        The video can be used by public and private school networks in the different countries as a didactic tool to visualize the rights of the child.  

·           Workshops will be organized for people involved with children’s welfare to discuss the topics of the video.

6.    Lyrics of "I Want to be Loved" 

Look at me
I am fragile

Do not mistreat me
Do not hit me again
Let me feel
We can be friends
 

I feel what you feel
Look at me in the eye
I am just like you
Treat me like a child

If you show me love
We feel no more pain
 

CHILDREN'S CHOIR 

Treat me like a child
If you show me love
We feel no more pain

7.    Production of “I WANT TO BE CARED FOR 

General Coordination:       Julio Rosenblatt
Direction:
                           Walter Tournier
Animation
:                          Pablo Turcatti
                      
                    Juan Andrés Montán
Puppets:                            
Lala Severi
Structures:                         
Martin de Rossa
Maquette:                          
Javier Tornier
Music and Sound:              
Leonardo Croatto
Soloist:                               
Leonardo Croatto
Choir:                                 
Agustina Antelo
                                            Ana Inés Almeida
                                            Julian Croatto
                                            Santiago Estefan
                                            Mauricio Ripol
Editing:                                
Guillermo Casanova
Lighting:                              
Diego Velazco
                                             Santiago Epstein

8.    Information on the Inter-American Children’s Institute 

The Inter-American Children’s Institute (IIN) is a specialized organization of the OAS with headquarters in Montevideo, Uruguay, founded in 1927. 

In the 75th Meeting of its Directing Council held in Ottawa, the Strategic Plan 2000-2004 was approved. In this plan, the promotion of tools for the dissemination of the Convention on the Rights of the Child by means of communication strategies is suggested. 

To implement this, for the last two years the IIN has been promoting the development of short videos of approximately one minute on issues related to the Convention on the Rights of the Child. These videos are being shown on commercial TV and by cable in all of Latin America. 

The work of the Inter-American Children’s Institute revolves around three important programs: 

a.   Program of Comprehensive Promotion of the Rights of the Child 

The Program of Comprehensive Promotion of the Rights of the Child, based on developing a Prototype of Focused Public Policies on Children, tries to promote measures and intervention projects to deal with the problems and needs of children and adolescents in circumstances of vulnerability, risk and social exclusion. 

This program has developed its Prototype of Focused Public Policies to deal with the problems mentioned in articles 23 (Handicap), 32 (Child Labor), 33 (Drug Abuse) and 34 (Sexual Exploitation) of the Convention on the Rights of the Child. 

b.   Inter-American Program of Information on Children and the Family (PIINFA) 

The main objective of PIINFA is the production and promotion of information systems directed to people and institutions working with children and adolescents in order to create pools of comprehensive information that will help generate changes in the life conditions of children and adolescents in the Americas.  

The projects of PIINFA provide focused services to deal with the primary needs of institutions, decision makers and planners working with children and families. They have also developed flexible information processing tools able to generate self evaluation data to facilitate adaptations and change. All the projects are tailored to the specific needs of each country, avoiding the rigidity of ready made general answers. 

The activities of PIINFA are centered on: 

-                      The Latin American Information Network on Children (RIIN)
-                      The information Systems for Monitoring Rights
-                      The updating, modernization and computerization of the civil registries of the region so that the right to identity be upheld and respected.
 

c.    Juridical Program 

The Juridical Program (PROJUR) provides Member States of the OAS with services such as training, information, monitoring, research and specialized technical assistance in order to reinforce and support national systems of protection of children in the hemisphere.  

It also tries to provide modern juridical information to ruling bodies on children, facilitate research, train people responsible for institutional development and rights and provide technical assistance in the unfinished task of harmonizing national legislations with the principles of modern international norms.  

8. Information on the LATIN AMERICAN NETWORK 

RAL, the Latin American Network, is an International non-profit Organization, with headquarters in Montevideo, Uruguay. Founded in 1996, RAL is governed by a Board of Directors composed of personalities from various Latin American countries. 

Objectives: 

COMMUNICATOR FOR INTEGRATION AND DEVELOPMENT: 

This would be the result of joint efforts by the Audiovisual and the Social Communication Industries of the region to promote and diffuse Latin American Audiovisual Production that will foster the process of integration, cultural patrimony, development and democratic values in Latin America. 

INFORMATION AND CONNECTIVITY NETWORK: 

A network in which television broadcasters and independent producers participate in the following activities: 

·        DIFFUSION of audiovisual productions in Latin America and sharing of information among members of the sector.

·        PRODUCTION and co-production of regional material.

·        PROFESSIONAL DEVELOPMENT and presentation of new technologies and equipment.

·        STUDIES on viewers and audiences, and application of new technologies to the Latin American industry.

·        Implementation of LATIN AMERICAN TELEVISION NETWORK: RAL integrated by the main sectors of television and social communication in Latin America. 

PRODUCTION 

-      EL JEFE Y EL CARPINTERO  /  THE CHIEF AND THE CARPENTER, is the Latin American chapter of the series ANIMATED STORIES OF THE WORLD, a 13 minute animated film produced by RAL and directed by Walter Tournier. ANIMATED STORIES OF THE WORLD is a series of 26 chapters under the sponsorship of the World Summit of Children's Television. This series is a world co-production of S4C de Gales, Executive Producers, with the participation of well known television channels. The chapter produced by RAL was financed by Discovery Latin America. 

-      YO QUIERO (I WANT), an animated musical video directed by Walter Tournier with music and lyrics by Leo Croatto sang by Rubén Rada. This video is part of the Public Welfare Campaign on the Rights of the Child produced by RAL and sponsored by the Inter-American Children's Institute. 

-      In January of 2001 RAL started production of a special half hour Christmas version of The Chief and the Carpenter, in co-production with S4C de Gales, for the International Trust Television Fund of England. Of the 26 chapters of the series, The Chief and the Carpenter was selected for the Christmas special of 2001. 

-      RAL also develops co-production projects, acting as Executive Producer, together with television channels and production firms. 

PROFESSIONAL DEVELOPMENT 

Sessions of technical/creative professional development and updating of new technologies to take place during the Encounters and through exchanges and internships 

STUDIES 

Studies and investigations carried on to facilitate the entry into the Latin American television market  of high quality programs produced by independent television broadcasters and producers whose goal is to promote integration, culture and development to television audiences in all of Latin America.

TELEVISION STATIONS WHICH HAVE PARTICIPATED IN THE RAL ENCOUNTER: 

Argentina: ATC Argentina – Televisora Color, Buenos Aires; FORMAR, Buenos Aires; INFINITO, Buenos Aires; TV Quality, Buenos Aires.
Brasil:
TV Educativa d RS, Porto Alegre; Rede Minas, Belo Horizonte – Minas Gerais; TV Cultura de Ouro Preto - Ouro Preto, Minas Gerais; TV Educativa RIO, Rio de Janeiro; TV Educativa de Bahía, Salvador Bahía; TV Educativa Paraná, Curitiba PR; TV Cultura Sao Pablo, Sao Pablo; TV Futura, Río de Janeiro; TV SENAC, Sao Pablo; TV PUC SP, Sao Pablo; TV UNIFESP Canal Universitario, Sao Pablo; Centro de Comunicaçao, Universidad Estadual Campinas SP.
Chile:
TV Nacional de Chile, Santiago, Chile; Universidad Católica de Valparaíso Televisión
Colombia:
La Franja, Ministerio de Cultura Bogotá; Canal Capital, Bogotá; Teleantioquia, Medellín
Costa Rica:
SINART – Canal 13
Cuba:
Televisión Cubana ICRT, La Habana
Ecuador:
TV Más Guayaquil
México:
TV UNAM México; Canal 40, México
Perú:
Canal 7 Instituto Nacional de radio y TV T.N.P – Lima
Uruguay:
Canal 10, Montevideo; Canal 5 SODRE, Montevideo; TV Ciudad, Montevideo
Venezuela:
Venezolana de televisión, Caracas; Vale TV, Caracas; Art TV, Caracas
 

WALTER TOURNIER – Director 

Uruguay (1944)
Educator in Uruguay and Perú

Animator, Director of Animation
 

FILMS: 

        1974  “EN LA SELVA HAY MUCHO POR HACER”. Animation, 35mm, 17´ Uruguay.
1980 
“EL CÓNDOR Y EL ZORRO”. Animation, 35mm, 10 min. Perú.

1981
“EL CLAVEL DESOBEDIENTE”. Marionettes and  animation, 35mm, 10 min.  Perú
1983
EN EL PAPEL UN SUEÑO”. Documentary, 16mm, 11 min. Peru.
1986
“LOS CUENTOS DE DON VERÍDICO”. Marionettes and  animation, video, 4 chapters, 7 min. each. Uruguay.
1988
“OCTAVIO PODESTÁ”. Documentary, video, 21 min. Uruguay.
1990
“LOS ESCONDITES DEL SOL”. Animation, 35mm, 40 min. Uruguay.
1992
“LA RAMBLA MONTEVIDEANA”. Documentary, video, 30 min. Uruguay.
1992/1999
  Animated commercial for several clients.
1997
"LOS TATITOS”. Animation, videos, 7 one hour and thirty minutes chapters de. Uruguay.
1998
  Director and marionette designer for the movie “EL SIGLO DEL VIENTO”, directed by Fernando Birri.
1999 
“EL JEFE Y EL CARPINTERO”. Animation 13 min. A chapter or the series: “Cuentos Animados del Mundo”.
2000
   “Yo Quiero”.  Anuncio de Bien Público - Animation on the Rights of the Child.
2000     
“NAVIDAD CARIBEÑA  – Special half hour animation in co-production with S4C de Gales and the Children's International Television Foundation
 

PRIZES WON: 

1978           Festival Internacional de Bilbao, España.
1979
           Premio Jean Vigo, Francia.
1980
           Premio Episcopado Peruano. Perú.
1981
          Premios CETUC. Perú.
1983
           Premios Asociación de Cineastas del Perú.
1980/1984
  Dos Premios Festival Internacional de Cine Latinoamericano. Habana, Cuba.
1990         
Premio SODRE, Uruguay.
1990
           Premio Video Latinoamericano. Rosario, Argentina.
1990          
Premio Video Latinoamericano. Asunción, Paraguay.
1992
           Premios Festival Internacional de Cine Infantil.  Uruguay.
1992
           Premio Festival Latinoamericano. Caracas, Venezuela.   

1992
           Premio festival Internacional Cine para Niños. Chicago, Estados Unidos.
1992
           Premio Festival Cortometrajes Oberhaussen, Alemania.
1998
          Premio UNESCO, Festival Internal. de Cine para Niños y Jóvenes. Uruguay.
1999
          Campana de Oro, a campaña mayor un minuto. Uruguay.
2000
          Premio oro - producción cine publicitario. FIAP. Argentina.
2000
         Mejor Corto, Mejor Película Latinoamericana, UNESCO, Premio del Jurado de Niños  por "EL Jefe y el Carpintero”-  DIVERCINE, Festival Internacional de Cine para Niños y Jóvenes, Uruguay
 

LEONARDO IVAN CROATTO

Composer, Interpreter, Sound Engineer.  

Born in Montevideo in 1959. Completed his studies in music in Argentina and in Italy, at the University of Bologna in the Faculty of Philosophy and Arts Music Department, receiving in 1987 the title of "Doctor of Arts, Music and Entertainment". 

He has been teaching at the University School of Music since 1989 and at Communication Sciences, where he teaches "Music and Sound in the Cinema and Television" since 1997. He has been a collaborator for the "Musica/Realtà" magazine, between 1984 and 1987, in Milan, Italy, and a music critic for the weekly publication "Alternativa" y "Brecha" between 1988 y 1992 in Montevideo. 

Staged music for theatrical plays: "Varela, el reformador" , "Los Grillos", "La  secreta obscenidad de cada día", "Veinte años no es nada", "Ah  Machos","Raúl aprende a bordar", "Peer  Gynt"  (nominated music for the  Florencio Award 1991), "Rompiendo Códigos" ( Florencio Award 1994), "Paquete de mentiras". 

Music for audiovisual productions: ”Bañados, el secreto de las aguas", ”Pantanal", "India  muerta", “La quimera de la costa” Hilary Sandison documentary, prod. "Imágenes", 1990-1996. "Color de Tristecías" and "Dudosa  Pasión” short film by Pablo  Rodriguez , Producciones del tomate, 1990-1991; "Amigo invisible", from the series of short films of animation "Madre Tierra", "Imágenes", 1991; "Tierra  Olvidada", "Arrinconados”, “El camino de la madera”, “Gente en obra”, documentaries by Mario  Jacob, "Imágenes", 1991-1992; “Héctor”, in co-authorship with Rubén Olivera, Director José Pedro Charlo, 2000. 

Other compositions: "Mina" y "L'immaginario erotico nell'arte", background music for an arts exhibition in Bologna, Italy 1986-1987. Electro-acoustic works "Digital number one for violin and tambourine" and "Digital number two for bandoneón shows", Premiere at Núcleo Música Nueva, 1995-1996; "Entrelíneas", for Marimba  (1998), premiered in Buenos Aires by percussionist Ángel Frette. 

Activities carried out within the popular music scene, performing as a guitarist and singer with different groupings in various cities of Europe, United States and Latin America from 1980 to 1987. Recorded of two records, in Puerto Rico (1984) and in Italy (1985), edited in Italy (1984 y 1985) and Peru  (1987). Musical and instrumental arrangements for Uruguayan records (Eduardo Darnauchans, Esteban Klisich, Mauricio Ubal, Washington Carrasco y Cristina Fernández, Antimurga BCG, Javier Cabrera y Julio Brum, Jorge Bonaldi, Laura Canoura, and Rubén Olivera). 

In 1992 Leonardo Croatto and Carlos da Silveira founded a company "Mambo/Sonus" to provide postproduction audio services for films and videos, as well as musical productions for advertisements.  Since 1992 they have produced for large advertising agencies and firms in this medium.  

Other musical productions by Mambo/SonuS, "Distracción Fatal", fiction that is directed by Mayda Moubayed. “El jefe y el carpintero”, from the Series ANIMATED TALES OF THE WORLD, directed by Walter Tournier, co-production of RAL (Red América Latina) with S4C-Wales, England, and Discovery Kids, USA, 2000. “Yo Quiero”, Rights of the Child campaign, animation, directed by W.Tournier and produced by RAL with the support of the Inter-American Children's Institute, 2000. “Porto Alegre-una experiencia de autogestión”, documentary, directed by Hilary Sandison, Co-produced Uruguay-England, 2001. Series of micro-programs in animation  “Los Tatitos”, co-production Artear-Color 9, Montevideo-Buenos Aires, 2001.



[1] These results come from a sample of 242 responses received from October 17 to November 26, 2003

[2] UNICEF data: Regional Office for Latin America and the Caribbean Region

[3] Protocol for the study of physical interpersonal mistreatment of children. Pan-American Health Organization.

[4] Laso, José: “Prensa y Maltrato infantil”, p. 7